The fifth album from this band from Tunisia.
The band was a sextet with a lineup of drums, bass, guitars, piano, keyboards and vocals.
Some guests added violin, viola, nay, gasba, acoustic guitars, clarinet and vocals.
This band is a pioneer in the metal world as they were the first band to incorporate Arabic and North-African folk music in their progressive power metal.
The music on this fifty minutes long album is a bit strange. It has commercial rock, progressive metal and folk rock.
That is folk rock from Northern Africa. As far as I understand it, the band has taken a song from Morocco and recorded it here with their own take on this song.
The commercial rock pieces, which is also pretty gothic too, is not particular good. The rest of the album is pretty good. The vocals is good throughout.
The band takes a lot of chances on this album and it is most certainly an album that breaks down barriers and genres. The music is pretty good and this album scores high on originality. That makes this a good album, indeed.
3 points